Othon Friesz was a French painter who was born in Le Havre (the son of a long line of shipbuilders and sea captains) where he went to school with Raoul Dufy who became a lifelong close friend. They both went to the same school in Le Havre, and later they went together to Paris for art school.
Othon Friesz, full name Achille-Emile Othon Friesz (1879 – 1949), was born in Le Havre, the son of a long line of shipbuilders and sea captains. He went to school in his native city. It was while he was at the Lycée that he met his lifelong friends Raoul Dufy, Rene de Saint-Delis and Rene’s younger brother, Henri Saint-Delis.
He, Rene, Henri and Dufy studied at the Le Havre School of Fine Arts in 1895-96 and then went to Paris together for further study. In Paris, Friesz met Henri Matisse, Albert Marquet, and Georges Rouault. Like them, he rebelled against the academic teaching of Bonnat and became a member of the Fauves, exhibiting with them in 1907. The following year, Friesz returned to Normandy and to a much more traditional style of painting, since he had discovered that his personal goals in painting were firmly rooted in the past.
He opened his own studio in 1912 and taught until 1914 at which time he joined the army for the duration of the war. He resumed living in Paris in 1919 and remained there, except for brief trips to Toulon and the Jura Mountains, until his death in 1949.
His paintings followed the Post-Impressionism and Fauvism movements.
Sir Matthew Smith, CBE (1879 – 1959) was a British painter of nudes, still-life and landscape. He studied design at the Manchester School of Art and art at the Slade School of Art. Smith studied under Henri Matisse in Paris and acquired an interest in Fauvism. During World War I,…
Gustave Loiseau was a French Post-Impressionist painter, remembered above all for his landscapes and scenes of Paris streets. However he did paint a lot in Normandy,
Henri Emile Benoit Matisse (1869 – 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts…
Eugene Henri Paul Gauguin (1848 – 1903) was a French Post-Impressionist artist. Unappreciated until after his death, Gauguin is now recognized for his experimental use of color and Synthetist style that were distinct from Impressionism. Toward the end of his life, he spent ten years in French Polynesia. The paintings from this time depict people or landscapes from that region.
His work was influential on the French avant-garde and many modern artists, such as Pablo Picasso and Henri Matisse, and he is well known for his relationship with Vincent and Theo van Gogh. Gauguin’s art became popular after his death, partially from the efforts of dealer Ambroise Vollard, who organized exhibitions of his work late in his career and assisted in organizing two important posthumous exhibitions in Paris.
Gauguin was an important figure in the Symbolist movement as a painter, sculptor, printmaker, ceramist, and writer. His expression of the inherent meaning of the subjects in his paintings, under the influence of the cloisonnist style, paved the way for Primitivism and the return to the pastoral. He was also an influential proponent of wood engraving and woodcuts as art forms.
Gauguin was born in Paris to Clovis Gauguin and Aline Chazal on 7 June 1848. His birth coincided with revolutionary upheavals throughout Europe that year. His father, a 34-year-old liberal journalist, came from a family of entrepreneurs residing in Orleans. He was compelled to flee France when the newspaper for which he wrote was suppressed by French authorities. Gauguin’s mother was the 22-year-old daughter of Andre Chazal, an engraver, and Flora Tristan, an author and activist in early socialist movements. Their union ended when Andre assaulted his wife Flora and was sentenced to prison for attempted murder.
In 1873, around the same time as he became a stockbroker, Gauguin began painting in his free time. His Parisian life centred on the 9th arrondissement of Paris. Gauguin lived at 15, rue la Bruyère. Nearby were the cafes frequented by the Impressionists. Gauguin also visited galleries frequently and purchased work by emerging artists. He formed a friendship with Camille Pissarro and visited him on Sundays to paint in his garden. Pissarro introduced him to various other artists. In 1877 Gauguin “moved downmarket and across the river to the poorer, newer, urban sprawls” of Vaugirard. Here, on the third floor at 8 rue Carcel, he had the first home in which he had a studio.
Paul Gauguin painted mostly in Paris and overseas (Martinique and Tahiti). He did however paint in the following places in France (a link “⇠” to his works will appear below when published):
Eugene Henri Paul Gauguin (1848 – 1903) was a French Post-Impressionist artist. Unappreciated until after his death, Gauguin is now recognized for his experimental use of color and Synthetist style that were distinct from Impressionism. Toward the end of his life, he spent ten years in French Polynesia. Here are…
Claude-Emile Schuffenecker (1851 – 1934) was a French Post-Impressionist artist, painter, art teacher and art collector. A friend of Paul Gauguin and Odilon Redon, and one of the first collectors of works by Vincent van Gogh.
Gustave Loiseau was a French Post-Impressionist painter, remembered above all for his landscapes and scenes of Paris streets. However he did paint a lot in Normandy,
Henri Lebasque was a French post-impressionist painter who painted throughout France. He worked on the decorations at the theatre of the Champs-Elysées and of the Transatlantique sealiner. He was friends with other artists like Raoul Dufy, Louis Valtat, and Henri Manguin.
Paul Cesar Helleu (1859 – 1927) was a French oil painter, pastel artist, drypoint etcher, and designer, best known for his numerous portraits of beautiful society women of the Belle Epoque. He also conceived the ceiling mural of night sky constellations for Grand Central Terminal in New York City. He was also the father of Jean Helleu and the grandfather of Jacques Helleu, both artistic directors for Parfums Chanel.
Paul César Helleu was born in Vannes, Brittany, France. His father, who was a customs inspector, died when Helleu was in his teens. Despite opposition from his mother, he then went to Paris and studied at Lycee Chaptal. In 1876, at age 16, he was admitted to the Ecole des Beaux-Arts, beginning academic training in art with Jean-Leon Gerome. Helleu attended the Second Impressionist Exhibition in the same year, and made his first acquaintances with John Singer Sargent, James McNeill Whistler, and Claude Monet. He was struck by their modern, bold alla prima technique and outdoor scenes, so far removed from the studio. Following graduation, Helleu took a job with the firm Theodore Deck Ceramique Française hand-painting fine decorative plates. At this same time, he met Giovanni Boldini, a portrait painter with a facile, bravura style, who became a mentor and comrade, and strongly influenced his future artistic style.
Helleu was commissioned in 1884 to paint a portrait of a young woman named Alice Guérin (1870–1933). They fell in love, and married on 28 July 1886. Throughout their lives together, she was his favourite model. Charming, refined and graceful, she helped introduce them to the aristocratic circles of Paris, where they became popular fixtures.
Helleu took up sailing, owning four yachts over his life. Ships, harbor views, life at port in Deauville, and women in their fashionable seaside attire became subjects for many vivid and spirited works.
On his second trip to the United States in 1912, Helleu was awarded the commission to design was the ceiling decoration in New York City’s Grand Central Terminal. He decided on a mural of a blue-green night sky covered by the starry signs of the zodiac that cross the Milky Way. Although the astrological design was widely admired, the ceiling was covered in the 1930s. It was completely restored in 1998.
While planning for a new exhibition with Jean-Louis Forain, he died in 1927 at age 67 of peritonitis following surgery in Paris. Among many of his friends was Coco Chanel, who chose beige as her signature colour upon on his advice—the colour of the sand on the beach of Biarritz in early morning. Both his son Jean Helleu and his grandson Jacques Helleu became artistic directors for Parfums Chanel.
Helleu painted mostly elegant woman, but he did paint in several cities in Normandy. Here they are (a link “⇠” to his works will appear below when published):
Gustave Loiseau was a French Post-Impressionist painter, remembered above all for his landscapes and scenes of Paris streets. However he did paint a lot in Normandy,
Claude-Emile Schuffenecker (1851 – 1934) was a French Post-Impressionist artist, painter, art teacher and art collector. A friend of Paul Gauguin and Odilon Redon, and one of the first collectors of works by Vincent van Gogh.
Gustave Madelain (1867 - 1944) was French painter with his own interpretation of French post Impressionism. Madelain showed a number of canvases at Le Havre and at Rouen; though it was naturally in Paris that he had his greatest success.
Georges William Thornley (1857 – 1935) was a French painter and printmaker. He was the son of a Welsh immigrant Morgan Thornley. He travelled a lot in Normandy and Brittany. He was also know for making lithographs for his fellow artist friends like Claude Monet, Pissarro etc.
Henri Eugene Augustin Le Sidaner (1862 – 1939) who was a contemporary of the Post-impressionists, was an intimist painter known for his paintings of domestic interiors and quiet street scenes. His style contained elements of impressionism with the influences of Edouard Manet, Monet and of the Pointillists discernible in his work. Le Sidaner favoured a subdued use of colour, preferring nuanced greys and opals applied with uneven, dappled brushstrokes to create atmosphere and mysticism. A skilled nocturne painter he travelled widely throughout France and Europe before settling at Gerberoy in the Picardy countryside from where he painted for over thirty years.
Henri Le Sidaner was born at Port Louis in Mauritius, where his Breton parents Jean Marie and Amelie Henrietta (née Robberechts) were living. His father Jean Marie was a ship inspector for Lloyd’s whose business took the family back to France in 1872. The remainder of his childhood was spent in Dunkerque where he attended the College et Lycee Notre Dame des Dunes and where he met and befriended Eugene Chigot who was to become a lifelong friend and supporter.
Le Sidaner’s paintings and pastels were widely collected throughout his career. His seductive views of the gardens he created in the ruins of the medieval fortress at Gerberoy, with their recently vacated tables dappled in sunlight and overhung by roses, have cemented his reputation as a unique artist who does not fit easily into an art movement.
Henri Le Sidaner painted all over France, in almost every “departement”. Here is a list of places we found that he applied his art (a link “⇠” will appear to his works for that city when published).
Gustave Loiseau was a French Post-Impressionist painter, remembered above all for his landscapes and scenes of Paris streets. However he did paint a lot in Normandy,
Gustave Madelain (1867 - 1944) was French painter with his own interpretation of French post Impressionism. Madelain showed a number of canvases at Le Havre and at Rouen; though it was naturally in Paris that he had his greatest success.
Henri Lebasque was a French post-impressionist painter who painted throughout France. He worked on the decorations at the theatre of the Champs-Elysées and of the Transatlantique sealiner. He was friends with other artists like Raoul Dufy, Louis Valtat, and Henri Manguin.
Georges William Thornley (1857 – 1935) was a French painter and printmaker. He was the son of a Welsh immigrant Morgan Thornley. He travelled a lot in Normandy and Brittany. He was also know for making lithographs for his fellow artist friends like Claude Monet, Pissarro etc.
Henri Lebasque (1865 – 1937) was a French post-impressionist painter. He started his education at the Ecole regionale des beaux-arts d’Angers, and moved to Paris in 1886. There, Lebasque started studying under Leon Bonnat, and assisted Ferdinand Humbert with the decorative murals at the Pantheon. Around this time, Lebasque met Camille Pissarro and Auguste Renoir, who later would have a large impact on his work.
From his first acquaintance with Georges Seurat and Paul Signac, Lebasque learnt the significance of a colour theory which stressed the use of complementary colours in shading.
Lebasque also became friends with artists such as Raoul Dufy, Louis Valtat, and Henri Manguin, the last of whom introduced Lebasque to the South of France. His time in South of France would lead to a radical transformation in Lebasque’s paintings, changing his colour palette forever. Other travels included the Vendée, Normandy, and Brittany.
Gustave Loiseau was a French Post-Impressionist painter, remembered above all for his landscapes and scenes of Paris streets. However he did paint a lot in Normandy,
Gustave Madelain (1867 - 1944) was French painter with his own interpretation of French post Impressionism. Madelain showed a number of canvases at Le Havre and at Rouen; though it was naturally in Paris that he had his greatest success.
Claude-Emile Schuffenecker (1851 – 1934) was a French Post-Impressionist artist, painter, art teacher and art collector. A friend of Paul Gauguin and Odilon Redon, and one of the first collectors of works by Vincent van Gogh.
Georges William Thornley (1857 – 1935) was a French painter and printmaker. He was the son of a Welsh immigrant Morgan Thornley. He travelled a lot in Normandy and Brittany. He was also know for making lithographs for his fellow artist friends like Claude Monet, Pissarro etc.
Albert Lebourg (1849 – 1928), birth name Albert-Marie Lebourg, also called Albert-Charles Lebourg and Charles Albert Lebourg, was a French Impressionist and Post-Impressionist landscape painter of the Rouen School (l’Ecole de Rouen). Member of the Societe des Artistes Francais, he actively worked in a luminous Impressionist style, creating more than 2,000 landscapes during his lifetime.
Lebourg remained occupied in all four seasons painting animated scenes of the Seine in and near Rouen and Paris. He energetically painted in Auvergne, Normandy and Ile-de-France, finally settling in Puteaux where he remained from 1888 to 1895, availing himself to the surroundings of Paris, painting what he would regard as his best works.
At the home of Impressionist art collector François Depeaux (1853–1920), Lebourg had the opportunity to converse many times with Camille Pissarro, Claude Monet, and Robert Antoine Pinchon (an artist who greatly admired him).
He suffered a stroke in September 1920 that paralyzed the left side of his body. He nevertheless remarried in February 1921.
Albert Lebourg died in Rouen on 7 January 1928. Lebourg’s works are exhibited at the Musee d’Orsay, Petit-Palais and Carnavalet in Paris, as well as museums in Bayonne, Clermont-Ferrand, Le Havre, Dunkerque, Lille, Strasbourg, Sceaux and above all Rouen at the Musée des Beaux-Arts de Rouen.
Paul Lucien Maze (1887 – 1979) was an Anglo-French painter. He is often known as “The last of the Post Impressionists" and was one of the great artists of his generation. His mediums included oils, watercolours and pastels and his paintings include French maritime scenes, busy New York City scenes…
Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas. His importance resides in his contributions to both Impressionism and Post-Impressionism. He painted quite a few paintings in Normandy
Gustave Loiseau was a French Post-Impressionist painter, remembered above all for his landscapes and scenes of Paris streets. However he did paint a lot in Normandy,
Claude-Emile Schuffenecker (1851 – 1934) was a French Post-Impressionist artist, painter, art teacher and art collector. A friend of Paul Gauguin and Odilon Redon, and one of the first collectors of works by Vincent van Gogh.
Gustave Loiseau (1865 – 1935) was a French Post-Impressionist painter, remembered above all for his landscapes and scenes of Paris streets. He was born in Paris and was brought up there, and at Pontoise, by parents who owned a butchers shop.
He served an apprenticeship with a decorator who was a friend of the family. In 1887, when a legacy from his grandmother allowed him to concentrate on painting, he enrolled at the “Ecole des arts decoratifs” where he studied life-drawing. However, a year later he left the school after an argument with his teacher.
While working as a decorator, Loiseau redecorated the apartment of the landscape painter Fernand Quigon (1854-1941). After he left the “Ecole des arts decoratifs”, he invited Quignon tutor him in painting.
In 1890, he went to Pont-Aven in Brittany for the first time, fraternizing with the artists there, especially Paul Gauguin and Emile Bernard. After experimenting with Pointillism, he adopted his own approach to Post-Impressionism, painting landscapes directly from nature. His technique known as en treillis or cross-hatching gave his works a special quality, now recognized as his speciality.
Loiseau’s paintings, revealing his passion for the seasons from the beginning of spring to the harvests later in the autumn, often depict the same orchard or garden scene as time goes by. Series of this kind, which also include cliffs, harbours or churches, are reminiscent of Claude Monet.
Gustave Loiseau was a French Post-Impressionist painter, remembered above all for his landscapes and scenes of Paris streets. He painted a lot in Normandy, but only one painting in Le Havre. Here it is.
Gustave Loiseau was a French Post-Impressionist painter, remembered above all for his landscapes and scenes of Paris streets. He painted a lot in Normandy, here are four of his paintings he made in Caen.
Gustave Madelain (1867 - 1944) was French painter with his own interpretation of French post Impressionism. Madelain showed a number of canvases at Le Havre and at Rouen; though it was naturally in Paris that he had his greatest success.
Claude-Emile Schuffenecker (1851 – 1934) was a French Post-Impressionist artist, painter, art teacher and art collector. A friend of Paul Gauguin and Odilon Redon, and one of the first collectors of works by Vincent van Gogh.
Gustave Loiseau was a French Post-Impressionist painter, remembered above all for his landscapes and scenes of Paris streets. However he did paint a lot in Normandy,
Claude-Emile Schuffenecker (1851 – 1934) was a French Post-Impressionist artist, painter, art teacher and art collector. A friend of Paul Gauguin and Odilon Redon, and one of the first collectors of works by Vincent van Gogh.
Henri Lebasque was a French post-impressionist painter who painted throughout France. He worked on the decorations at the theatre of the Champs-Elysées and of the Transatlantique sealiner. He was friends with other artists like Raoul Dufy, Louis Valtat, and Henri Manguin.
Samuel John Peploe (1871 – 1935) was a Scottish Post-Impressionist painter, noted for his still life works and for being one of the group of four painters that became known as the Scottish Colourists. The other colourists were John Duncan Fergusson, Francis Cadell and Leslie Hunter. Peploe was strongly influenced…
Georges Henri Manzana-Pissarro (1871–1961) was a French artist who worked in Impressionist and Post-Impressionist styles. He was also a designer of textiles, decorative objects, furniture and glassware.
Georges Henri Manzana-Pissarro was born in 1871 in France, at Louveciennes, the third child of Impressionist artist Camille Pissarro. Initially, he painted at his father’s side, where he learned not only to handle brush and pencil but also to observe and to love nature. Like his brother Lucien Pissarro he spent his formative years surrounded by distinguished artists of the Impressionist movement, such as Monet, Cezanne, Renoir and Gauguin, all of whom frequented the Pissarro home.
Around 1906 Manzana started to search for other means of expression via the design of decorative objects and furniture. The influence of Gauguin’s exotic native scenes from Tahiti and Martinique contributed to the development of his Orientalism, which at that time began to manifest itself in some of his works by his experimenting with gold, silver and copper paint.
The Artist continued to exhibit his work regularly until the late 1930s, splitting his time between Les Andelys and Paris, although spending several summers at Pont-Aven in Brittany, where the local costume and lifestyle inspired a series of paintings in the 1930s. At the declaration of war in 1939, he moved together with his family to Casablanca where he stayed until 1947.
Manzana’s youngest son, Felix, also became an accomplished artist. Manzana spent the last years of his life with him in Menton, returning to his Post-Impressionist roots and painting the local landscape.
Manzana-Pissarro spent most of his time in Normandy but he did paint in several other places in France. Here are the place he painted in which we could find (a link “⇠” to his work for each place will appear here when published).
Paul Lucien Maze (1887 – 1979) was an Anglo-French painter. He is often known as “The last of the Post Impressionists" and was one of the great artists of his generation. His mediums included oils, watercolours and pastels and his paintings include French maritime scenes, busy New York City scenes…
Albert Lebourg (1849 – 1928), birth name Albert-Marie Lebourg, also called Albert-Charles Lebourg and Charles Albert Lebourg, was a French Impressionist and Post-Impressionist landscape painter of the Rouen School (l'Ecole de Rouen). Member of the Societe des Artistes Francais, he actively worked in a luminous Impressionist style, creating more than…
Georges Henri Manzana Pissarro (1871–1961) was a French artist who worked in Impressionist and Post-Impressionist styles. He was also a designer of textiles, decorative objects, furniture and glassware. Georges Henri Manzana Pissarro was born in 1871 in France, at Louveciennes, the third child of Impressionist artist Camille Pissarro. Initially, he…
Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas. His importance resides in his contributions to both Impressionism and Post-Impressionism. He painted quite a few paintings in Normandy
Georges Henri Manzana Pissarro (1871–1961) was a French artist who worked in Impressionist and Post-Impressionist styles. He was also a designer of textiles, decorative objects, furniture and glassware. Georges Henri Manzana Pissarro was born in 1871 in France, at Louveciennes, the third child of Impressionist artist Camille Pissarro. Initially, he…
Henri Emile Benoit Matisse (1869 – 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture.
The intense colourism of the works he painted between 1900 and 1905 brought him notoriety as one of the Fauves (French for “wild beasts”). Many of his finest works were created in the decade or so after 1906, when he developed a rigorous style that emphasised flattened forms and decorative pattern. In 1917, he relocated to a suburb of Nice on the French Riviera, and the more relaxed style of his work during the 1920s gained him critical acclaim as an upholder of the classical tradition in French painting.
Matisse was born in Le Cateau-Cambresis, in the Nord department in Northern France on New Year’s Eve in 1869, the oldest son of a wealthy grain merchant. He grew up in Bohain-en-Vermandois, Picardie, France. In 1887, he went to Paris to study law, working as a court administrator in Le Cateau-Cambresis after gaining his qualification. He first started to paint in 1889, after his mother brought him art supplies during a period of convalescence following an attack of appendicitis. He discovered “a kind of paradise” as he later described it, and decided to become an artist, deeply disappointing his father.
In 1896, Matisse, an unknown art student at the time, visited the Australian painter John Russell on the island Belle Ile off the coast of Brittany. Russell introduced him to Impressionism and to the work of Vincent van Gogh—who had been a friend of Russell—and gave him a Van Gogh drawing. Matisse’s style changed completely; abandoning his earth-coloured palette for bright colours.
With the model Caroline Joblau, he had a daughter, Marguerite, born in 1894. In 1898, he married Amelie Noellie Parayre; the two raised Marguerite together and had two sons, Jean (born 1899) and Pierre (born 1900). Marguerite and Amelie often served as models for Matisse.
In 1898, on the advice of Camille Pissarro, he went to London to study the paintings of J. M. W. Turner and then went on a trip to Corsica. Upon his return to Paris in February 1899, he worked beside Albert Marquet and met Andre Derain, Jean Puy, and Jules Flandrin. Matisse immersed himself in the work of others and went into debt from buying work from painters he admired. The work he hung and displayed in his home included a plaster bust by Rodin, a painting by Gauguin, a drawing by Van Gogh, and Cezanne’s Three Bathers. In Cezanne’s sense of pictorial structure and colour, Matisse found his main inspiration.
Around April 1906, Matisse met Pablo Picasso, who was 11 years his junior. The two became lifelong friends as well as rivals and are often compared. One key difference between them is that Matisse drew and painted from nature, while Picasso was more inclined to work from imagination. The subjects painted most frequently by both artists were women and still lifes, with Matisse more likely to place his figures in fully realised interiors.
Matisse died of a heart attack at the age of 84 on 3 November 1954. He is buried in the cemetery of the Monastère Notre Dame de Cimiez, in the Cimiez neighbourhood of Nice.
Henri Matisse painted all over France, but most notably in Southern France. Here are all the places he painted in (a link “⇠” to his works will appear when published).
Sir Matthew Smith, CBE (1879 – 1959) was a British painter of nudes, still-life and landscape. He studied design at the Manchester School of Art and art at the Slade School of Art. Smith studied under Henri Matisse in Paris and acquired an interest in Fauvism. During World War I,…
Henri Emile Benoit Matisse (1869 – 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts…
Henri Lebasque was a French post-impressionist painter who painted throughout France. He worked on the decorations at the theatre of the Champs-Elysées and of the Transatlantique sealiner. He was friends with other artists like Raoul Dufy, Louis Valtat, and Henri Manguin.
Paul Lucien Maze (1887 – 1979) was an Anglo-French painter. He is often known as “The last of the Post Impressionists” and was one of the great artists of his generation. His mediums included oils, watercolours and pastels and his paintings include French maritime scenes, busy New York City scenes and the English countryside.
Paul Lucien Maze was born into a French family at Le Havre, Normandy, in 1887. His father was a thriving tea merchant and art collector and his circle of artistic friends included Claude Monet, Raoul Dufy, Camille Pissarro and Pierre-Auguste Renoir. Maze learnt the fundamentals of painting from Pissarro and as a young boy he sketched on the beach with Dufy. At the age of 12, Maze was sent to school in Southampton, England, to perfect his English and whilst there, he fell in love with all things English. He became a naturalised British subject in 1920.
At the outbreak of World War I, Maze returned to France and attempted to join the French army but was deemed unfit. Determined to serve, Maze made his way to Le Havre and offered his services to the British and became an interpreter with the British cavalry regiment, the Royal Scots Greys.
Maze joined the staff of General Hubert Gough, initially as a liaison officer and interpreter but increasing as a military draughtsman undertaking reconnaissance work. Maze would go to advanced positions, often forward of the British trenches, to produce accurate drawings of enemy positions and other military objectives. The work was very dangerous and Maze was wounded three times in four years. He was awarded the Distinguished Conduct Medal and Military Medal by the British, and the Croix de Guerre and Ordre national de la Legion d’honneur by the French.
In 1921, Maze married Margaret Nelson, a widow of a wartime friend, Captain Thomas Nelson. They moved to London during which time Maze painted many London scenes from pomp and pageantry to the fogs and dismal back streets. He exhibited in many major art galleries in London, America and Paris. In 1939, Maze had his first New York City exhibition and in the foreword to the catalogue, Winston Churchill wrote, “His great knowledge of painting and draughtsmanship have enabled him to perfect his remarkable gift. With the fewest of strokes, he can create an impression at once true and beautiful. Here is no toiling seeker after preconceived effects, but a vivid and powerful interpreter to us of the forces and harmony of Nature”.
Maze died aged 92 with a pastel in his hand, overlooking his beloved South Downs at his home in West Sussex in 1979.
Paul Maze painted all over France (and abroad). Here are the places he painted in France (a link “⇠” will appear when the place he painted in is published):
Albert Lebourg (1849 – 1928), birth name Albert-Marie Lebourg, also called Albert-Charles Lebourg and Charles Albert Lebourg, was a French Impressionist and Post-Impressionist landscape painter of the Rouen School (l'Ecole de Rouen). Member of the Societe des Artistes Francais, he actively worked in a luminous Impressionist style, creating more than…
Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas. His importance resides in his contributions to both Impressionism and Post-Impressionism. He painted quite a few paintings in Normandy
Gustave Loiseau was a French Post-Impressionist painter, remembered above all for his landscapes and scenes of Paris streets. However he did paint a lot in Normandy,
Georges William Thornley (1857 – 1935) was a French painter and printmaker. He was the son of a Welsh immigrant Morgan Thornley. He travelled a lot in Normandy and Brittany. He was also know for making lithographs for his fellow artist friends like Claude Monet, Pissarro etc.
Samuel John Peploe (1871 – 1935) was a Scottish Post-Impressionist painter (the son of a bank manager, Robert Luff Peploe), noted for his still life works and for being one of the group of four painters that became known as the Scottish Colourists. The other colourists were John Duncan Fergusson, Francis Cadell and Leslie Hunter.
He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Academie Colarossi in Paris, where he shared a room with Robert Brough. He visited the Netherlands in 1895, returning with reproductions of work by Rembrandt and Frans Hals. From 1901, he undertook painting trips to northern France and the Hebrides with his friend J. D. Fergusson, another of the Scottish Colourists. Inspired by the bright sunlight, he experimented with the bold use of colour, and the influence of the rustic realism of French painters is evident in his landscapes.
In 1910 Peploe married Margaret MacKay (1873–1958), whom he had known since 1894. He also moved to Paris in 1910, a period which saw him concentrate increasingly on still life and landscape painting. His still-life works show the influence of Manet, with combinations of fluid brushwork, thick impasto and dark backgrounds with strong lighting. Returning to Scotland in 1912 he found that his usual dealer refused his work and he was obliged to stage his own exhibition.
Peploe was strongly influenced by French painting throughout his life. Although his work never became overly abstract, it was notable for its use of strong colour, tight composition, and meticulous execution. Influences are said to include de Segonzac, Cezanne, Matisse and Van Gogh. He died in Edinburgh in 1935. Peploe’s younger son Denis followed his father’s career.
Claude-Emile Schuffenecker (1851 – 1934) was a French Post-Impressionist artist, painter, art teacher and art collector. A friend of Paul Gauguin and Odilon Redon, and one of the first collectors of works by Vincent van Gogh.
Gustave Loiseau was a French Post-Impressionist painter, remembered above all for his landscapes and scenes of Paris streets. However he did paint a lot in Normandy,
Henri Lebasque was a French post-impressionist painter who painted throughout France. He worked on the decorations at the theatre of the Champs-Elysées and of the Transatlantique sealiner. He was friends with other artists like Raoul Dufy, Louis Valtat, and Henri Manguin.
Gustave Madelain (1867 - 1944) was French painter with his own interpretation of French post Impressionism. Madelain showed a number of canvases at Le Havre and at Rouen; though it was naturally in Paris that he had his greatest success.
Camille Pissarro (1830 – 1903) was a Danish-French Impressionist and Neo-Impressionist painter. He was born on the island of St. Thomas (when it was still in hands of Denmark). He is recognised as being important and an influencer in the impressionist movement.
In 1859 his first painting was accepted and exhibited. His other paintings during that period were influenced by Camille Corot, who tutored him. He and Corot both shared a love of rural scenes painted from nature. It was by Corot that Pissarro was inspired to paint outdoors, also called “plein air” painting. Pissarro found Corot, along with the work of Gustave Courbet, to be “statements of pictorial truth,” writes Rewald. He discussed their work often. Jean-François Millet was another whose work he admired, especially his “sentimental renditions of rural life“.
As the recognised “Dean of Impressionists“, he became friends with the likes of Claude Monet, Paul Cezanne and several other who have become famous later on.
In 1903 Pissarro was seeing hard times and needed money. A businessman in Le Havre commissioned him to make 24 paintings of the harbour of Le Havre. Most of them were made out of his hotel room.
Pissarro painted mostly in Normandy and a few other places in France (plus some places abroad), which will be featured eventually on this site. A link “⇠” to those cities will appear below.
Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas. His importance resides in his contributions to both Impressionism and Post-Impressionism. He painted quite a few paintings in Normandy. Here are some of his Le Havre and Harfleur (suburb) works.
Paul Lucien Maze (1887 – 1979) was an Anglo-French painter. He is often known as “The last of the Post Impressionists" and was one of the great artists of his generation. His mediums included oils, watercolours and pastels and his paintings include French maritime scenes, busy New York City scenes…
Leon-Jules Lemaître (1850 - 1905) is a French painter from the School of Rouen. A student at the Ecole des Beaux-Arts in Paris, he painted mainly urban scenes in Paris or Rouen. Not much else is known about this artist.
Albert Lebourg (1849 – 1928), birth name Albert-Marie Lebourg, also called Albert-Charles Lebourg and Charles Albert Lebourg, was a French Impressionist and Post-Impressionist landscape painter of the Rouen School (l'Ecole de Rouen). Member of the Societe des Artistes Francais, he actively worked in a luminous Impressionist style, creating more than…
Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas. His importance resides in his contributions to both Impressionism and Post-Impressionism. He painted quite a few paintings in Normandy. Here is one drawing he made in Lisieux..
Maurice Brazil Prendergast (1858 – 1924) was an American Post-Impressionist artist who worked in oil, watercolor, and monotype.
Maurice Prendergast and his twin sister, Lucy, were born at their family’s subarctic trading post in the city of St. John’s, in Newfoundland, then a colony in British North America. After the trading post failed, the family moved to Boston. He grew up in the South End and was apprenticed as a youth to a commercial artist. A shy individual who experienced increasing deafness in his later years, Prendergast remained a bachelor throughout his life. He became closely attached to his younger brother Charles, who was also a post-impressionist painter.
Prendergast studied in Paris from 1891 to 1895, at the Académie Colarossi with Gustave Courtois and Jean-Joseph Benjamin-Constant and at the Academie Julian. During one of his early stays in Paris, he met the Canadian painter James Morrice, who introduced him to English avant-garde artists Walter Sickert and Aubrey Beardsley, all ardent admirers of James McNeill Whistler. A further acquaintance with Edouard Vuillard and Pierre Bonnard placed him firmly in the Post-Impressionist camp. He also studied the work of Vincent van Gogh and Georges Seurat at retrospectives held in Paris in 1891 and 1892. Prendergast was additionally one of the first Americans to espouse the work of Paul Cezanne and to understand and utilize his expressive use of form and color.
Prendergast’s work was strongly associated from the beginning with leisurely scenes set on beaches and in parks. His early work was mostly in watercolor or monotype, and he produced over two hundred monotypes between 1895 and 1902. He also experimented with oil painting in the 1890s, but did not focus on that medium until the early 1900s.
Gustave Loiseau was a French Post-Impressionist painter, remembered above all for his landscapes and scenes of Paris streets. However he did paint a lot in Normandy,
Henri Lebasque was a French post-impressionist painter who painted throughout France. He worked on the decorations at the theatre of the Champs-Elysées and of the Transatlantique sealiner. He was friends with other artists like Raoul Dufy, Louis Valtat, and Henri Manguin.
Claude-Emile Schuffenecker (1851 – 1934) was a French Post-Impressionist artist, painter, art teacher and art collector. A friend of Paul Gauguin and Odilon Redon, and one of the first collectors of works by Vincent van Gogh.
Georges William Thornley (1857 – 1935) was a French painter and printmaker. He was the son of a Welsh immigrant Morgan Thornley. He travelled a lot in Normandy and Brittany. He was also know for making lithographs for his fellow artist friends like Claude Monet, Pissarro etc.
Gustave Madelain (1867 - 1944) was French painter with his own interpretation of French post Impressionism. Madelain showed a number of canvases at Le Havre and at Rouen; though it was naturally in Paris that he had his greatest success.
Claude-Emile Schuffenecker (1851 – 1934) was a French Post-Impressionist artist, painter, art teacher and art collector. A friend of Paul Gauguin and Odilon Redon, and one of the first collectors of works by Vincent van Gogh, Schuffenecker was instrumental in establishing The Volpini exhibition, in 1889.
His own work, however, tends to have been neglected since his death—and even worse, recent season campaigns in the media have reactivated resentments virulent since the late 1920s, when Schuffenecker was suspected to have imitated the work of other contemporary artists, among them, Van Gogh.
Claude-Emile Schuffenecker, son of Nicolas Schuffenecker (1829–1854) and Anne Monnet (1836–1907) was born in Fresne-Saint-Mames (Haute-Saone). His father, a tailor originating from Guewenheim (Alsace, today Haut-Rhin), died when Emile was little more than two years old; the same year his brother Amedee was born in Charentenay (Haut-Rhin). The widow with her two boys moved to Meudon, close to Paris, where part of her mother’s family lived, and where she had found work at a laundry. In the years to follow Emile was raised by his mother’s sister, Anne Fauconnet Monnet, and her husband Pierre Cornu in Paris, educated by the Freres des Ecoles chretiennes, and started work in his uncle’s business, a chocolate and coffee-roasting facility in the Les Halles quarter.
On 28 February 1872, Schuffenecker joined the broker Bertin, where he met Paul Gauguin; they became close friends. Both used to study the Old Masters at the Louvre, and worked at the Academie Colarossi.
By 1880, both Schuffenecker and Gauguin evidently had gained enough money to leave Bertin – just in time before the French Panama canal project began to turn into a disaster – and to try to stand on their own feet: Both opted for a career in the arts, and probably for additional income at the stock exchange. Then, in January 1882, the Paris Bourse crashed, and while Gauguin chose to remain independent, Schuffenecker decided to apply for the diploma to teach. Two years later, he was appointed to teach drawing at the Lycee Michelet in Vanves, with the painter Louis Roy as a collegial friend.
Schuffenecker died in Paris, 33 rue Olivier de Serres, and was buried at the Montparnasse cemetery on 3 August.
Schuffenecker spent most of his artists days between Normandy, Brittany and Paris. Here are most of the places he painted in (a link “⇠” to his works will appear when published):
Gustave Loiseau was a French Post-Impressionist painter, remembered above all for his landscapes and scenes of Paris streets. However he did paint a lot in Normandy,
Gustave Madelain (1867 - 1944) was French painter with his own interpretation of French post Impressionism. Madelain showed a number of canvases at Le Havre and at Rouen; though it was naturally in Paris that he had his greatest success.
Samuel John Peploe (1871 – 1935) was a Scottish Post-Impressionist painter, noted for his still life works and for being one of the group of four painters that became known as the Scottish Colourists. The other colourists were John Duncan Fergusson, Francis Cadell and Leslie Hunter. Peploe was strongly influenced…
Henri Lebasque was a French post-impressionist painter who painted throughout France. He worked on the decorations at the theatre of the Champs-Elysées and of the Transatlantique sealiner. He was friends with other artists like Raoul Dufy, Louis Valtat, and Henri Manguin.
Georges Pierre Seurat (1859 – 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface.
Seurat’s artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one hand, his extreme and delicate sensibility, on the other, a passion for logical abstraction and an almost mathematical precision of mind. His large-scale work A Sunday Afternoon on the Island of La Grande Jatte (1884–1886) altered the direction of modern art by initiating Neo-Impressionism, and is one of the icons of late 19th-century painting.
His father, Antoine Chrysostome Seurat, originally from Champagne, was a former legal official who had become wealthy from speculating in property, and his mother, Ernestine Faivre, was from Paris. Georges had a brother, Emile Augustin, and a sister, Marie-Berthe, both older. His father lived in Le Raincy and visited his wife and children once a week at boulevard de Magenta.
Georges Seurat first studied art at the Ecole Municipale de Sculpture et Dessin, near his family’s home in the boulevard Magenta, which was run by the sculptor Justin Lequien. In 1878, he moved on to the Ecole des Beaux-Arts where he was taught by Henri Lehmann, and followed a conventional academic training, drawing from casts of antique sculpture and copying drawings by old masters.
Where the dialectic nature of Paul Cezanne’s work had been greatly influential during the highly expressionistic phase of proto-Cubism, between 1908 and 1910, the work of Seurat, with its flatter, more linear structures, would capture the attention of the Cubists from 1911. Seurat in his few years of activity, was able, with his observations on irradiation and the effects of contrast, to create afresh without any guiding tradition, to complete an esthetic system with a new technical method perfectly adapted to its expression.
Seurat painted mostly in the Paris region, but he did work in some parts of France as well. Here are the places he painted in (a link “⇠” to his works will appear when published):
Paul Victor Jules Signac was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style. He started training as an architect but quickly decided he wanted to be an artist.
Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas. His importance resides in his contributions to both Impressionism and Post-Impressionism. He painted quite a few paintings in Normandy
Gustave Loiseau was a French Post-Impressionist painter, remembered above all for his landscapes and scenes of Paris streets. However he did paint a lot in Normandy,
Georges Pierre Seurat (1859 – 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface. Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one…
Walter Richard Sickert (1860 – 1942) was a British painter and printmaker who was a member of the Camden Town Group of Post-Impressionist artists in early 20th-century London. He was an important influence on distinctively British styles of avant-garde art in the mid- and late 20th century.
Sickert was a cosmopolitan and eccentric who often favoured ordinary people and urban scenes as his subjects. His work includes portraits of well-known personalities and images derived from press photographs. He is considered a prominent figure in the transition from Impressionism to Modernism.
Sickert was born in Munich, Germany, on 31 May 1860, the eldest son of Oswald Sickert, a Danish-German artist, and his wife, Eleanor Louisa Henry, who was an illegitimate daughter of the British astronomer Richard Sheepshanks. In 1868, following the German annexation of Schleswig-Holstein, the family settled in Britain, where Oswald’s work had been recommended by Freiherrin Rebecca von Kreusser to Ralph Nicholson Wornum, who was Keeper of the National Gallery at the time.
The family obtained British nationality. The young Sickert was sent to University College School from 1870 to 1871, before transferring to King’s College School, where he studied until the age of 18. Though he was the son and grandson of painters, he first sought a career as an actor; he appeared in small parts in Sir Henry Irving’s company, before taking up the study of art in 1881. After less than a year’s attendance at the Slade School, Sickert left to become a pupil of and etching assistant to James Abbott McNeill Whistler. Sickert’s earliest paintings were small tonal studies painted alla prima from nature after Whistler’s example.
In 1883 he travelled to Paris and met Edgar Degas, whose use of pictorial space and emphasis on drawing would have a powerful effect on Sickert’s work. He developed a personal version of Impressionism, favouring sombre colouration.
In the late 1880s he spent much of his time in France, especially in Dieppe, which he first visited in mid-1885, and where his mistress, and possibly his illegitimate son, lived.
Just before the First World War he championed the avant-garde artists Lucien Pissarro, Jacob Epstein, Augustus John and Wyndham Lewis. At the same time Sickert founded, with other artists, the Camden Town Group of British painters, named from the district of London in which he lived.
After the death of his second wife in 1920, Sickert relocated to Dieppe, where he painted scenes of casinos and cafe life until his return to London in 1922. In 1924, he was elected an Associate of the Royal Academy (ARA).
Sickert painted an informal portrait of Winston Churchill in about 1927. Churchill’s wife Clementine introduced him to Sickert, who had been a friend of her family. The two men got along so well that Churchill, whose hobby was painting, wrote to his wife that “He is really giving me a new lease of life as a painter.”
Sickert took a keen interest in the crimes of Jack the Ripper and believed he had lodged in a room used by the notorious serial killer. He had been told this by his landlady, who suspected a previous lodger. Sickert did a painting of the room and titled it Jack the Ripper’s Bedroom. It shows a dark, melancholy room with most details obscured.
Although for over 80 years there was no mention of Sickert being a suspect in the Ripper crimes, in the 1970s authors began to explore the idea that Sickert was Jack the Ripper or his accomplice.
Sickert died in Bath, Somerset in 1942, at the age of 81.
Walter Sickert painted mostly in Dieppe and its surroundings when he was in France. He did paint in Paris and one other place in France (a link “⇠”to his works will appear below when published):
Walter Richard Sickert RA RBA (1860 – 1942) was a British painter and printmaker who was a member of the Camden Town Group of Post-Impressionist artists in early 20th-century London. He was an important influence on distinctively British styles of avant-garde art in the mid- and late 20th century. In…
Walter Richard Sickert RA RBA (1860 – 1942) was a British painter and printmaker who was a member of the Camden Town Group of Post-Impressionist artists in early 20th-century London. He was an important influence on distinctively British styles of avant-garde art in the mid- and late 20th century. In…
Walter Richard Sickert RA RBA (1860 – 1942) was a British painter and printmaker who was a member of the Camden Town Group of Post-Impressionist artists in early 20th-century London. He was an important influence on distinctively British styles of avant-garde art in the mid- and late 20th century. In…
Claude-Emile Schuffenecker (1851 – 1934) was a French Post-Impressionist artist, painter, art teacher and art collector. A friend of Paul Gauguin and Odilon Redon, and one of the first collectors of works by Vincent van Gogh.
Gustave Loiseau was a French Post-Impressionist painter, remembered above all for his landscapes and scenes of Paris streets. However he did paint a lot in Normandy,
Paul Signac (1863 – 1935) was a French Post-Impressionist painter. He followed a course of training in architecture before, at the age of 18, deciding to pursue a career as a painter, after attending an exhibit of Monet’s work. He sailed on the Mediterranean Sea, visiting the coasts of Europe and painting the landscapes he encountered. In later years, he also painted a series of watercolors of French harbor cities.
In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colors and he became Seurat’s faithful supporter, friend, and heir with his description of Neo-Impressionism and Divisionism method. Under Seurat’s influence he abandoned the short brushstrokes of Impressionism to experiment with scientifically-juxtaposed small dots of pure color, intended to combine and blend not on the canvas, but in the viewer’s eye, the defining feature of Pointillism.
In 1886 Signac met Vincent van Gogh in Paris. During 1887 the two artists regularly went to Asnières-sur-Seine together, where they painted such subjects as river landscapes and cafés. Initially, van Gogh chiefly admired Signac’s loose painting technique. In March 1889, Signac visited van Gogh at Arles. The next year he made a short trip to Italy, seeing Genoa, Florence, and Naples.
Signac loved sailing and began to travel in 1892, sailing a small boat to almost all the ports of France, to the Netherlands, and on the Mediterranean Sea as far as Constantinople, basing his boat at St. Tropez, which he later would make popular to other artists. From his various ports of call, Signac brought back vibrant, colorful watercolors, sketched rapidly from nature. From these sketches, he painted large studio canvases that are carefully composed of small, mosaic-like squares of color quite different from the tiny, variegated dots introduced and used by Seurat.
On 7 November 1892, Signac married Berthe Robles at the town hall of the 18th arrondissement of Paris. The witnesses at the wedding were Alexandre Lemonier, Maximilien Luce, Camille Pissarro, and Georges Lecomte.
Signac wrote several important works on the theory of art, among them, From Eugene Delacroix to Neo-Impressionism, published in 1899. It is a monograph devoted to Johan Barthold Jongkind (1819–1891), and was published in 1927. He also authored several introductions to the catalogues of art exhibitions and many other writings yet to be published.
Politically, he was an anarchist, as were many of his friends, including Felix Feneon and Camille Pissarro.
Paul Victor Jules Signac was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style. He started training as an architect but quickly decided he wanted to be an artist. Here are 2 of his paintings we found which he made in Le Havre, Normandy.
Georges Pierre Seurat (1859 – 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface. Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one…
Gustave Loiseau was a French Post-Impressionist painter, remembered above all for his landscapes and scenes of Paris streets. However he did paint a lot in Normandy,
Claude-Emile Schuffenecker (1851 – 1934) was a French Post-Impressionist artist, painter, art teacher and art collector. A friend of Paul Gauguin and Odilon Redon, and one of the first collectors of works by Vincent van Gogh.
Sir Matthew Smith, CBE (1879 – 1959) was a British painter of nudes, still-life and landscape. His father was a wire-manufacturer and musician who invited visiting musicians to his home. He studied design at the Manchester School of Art and art at the Slade School of Art. Smith studied under Henri Matisse in Paris and acquired an interest in Fauvism. During World War I, he was wounded at the Battle of Passchendaele. In 1949, Smith was appointed a Commander of the Order of the British Empire (CBE). He was knighted in 1954.
He studied design at the Manchester School of Art from 1901 to 1905 and painting at the Slade School of Art in London from 1905 to 1907.
In 1908, Smith went to Pont-Aven in Brittany, France. In 1911 he was in Paris where he studied under Henri Matisse at his short-lived school and was influenced by him and other Fauves. This influence can be seen in paintings such as Fitzroy Street Nude No. 1 (1916) and his series of Cornish landscapes.
Smith met fellow artist Gwen Salmond in 1907 in Whitby and she became his “greatest mentor”. They married and had two sons together. The marriage was short and it was Salmond who raised the boys, Frederic Mark Smith and Dermott Smith, born in 1915 and 1916 respectively. Smith left his wife and sons because he felt that they were “stifling his career.” Both sons served in the Royal Air Force during World War II and were killed during the war.
Smith met fellow artist Vera Cuningham in 1922 or 1923 and moved to Paris, where they lived at 6 bis Villa Brune. The British Museum states that they both exhibited in 1922 at the Société des Artistes Indépendants and at the Amis de Montparnasse. Smith and Cuningham were in Woolhope, near Hereford, in 1932. Smith’s paintings of Vera between 1923 and 1926 include Vera Cuningham, Head and Shoulders, Vera Cuningham in a Chair, Vera Reclining in a Pink Slip, and Vera in a Yellow Dress, all of which are in the Corporation of London Collection. She died in 1955.
Smith stayed in France until the outbreak of World War I in 1914, which prevented him from returning to England, but was able later to get to Cornwall, England. He trained for the army in Herfortshire in 1916. He was made temporary second lieutenant for the Labour Company. He was wounded in September 1917 at the Battle of Passchendaele. After having been hospitalised, he returned to active duty in 1918, was made lieutenant, and was posted at the Abbeville prisoner-of-war camp. Between World War I and World War II he lived often in Paris and Aix-en-Provence, France. During this period he had poor mental and physical health. His work, however, reflects use of “colour in a bold, unnaturalistic manner echoing the Fauves.”
In 1949 he was awarded a Commander of the Most Excellent Order of the British Empire (CBE). He was knighted in 1954. He died on 29 September 1959, in London.
Matthew Smith painted mostly in the South of France, but he did paint in a few other places. Here are the areas he painted in France (a link “⇠” to his works will appear here when published):
Henri Emile Benoit Matisse (1869 – 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts…
Gustave Loiseau was a French Post-Impressionist painter, remembered above all for his landscapes and scenes of Paris streets. However he did paint a lot in Normandy,
Henri Lebasque was a French post-impressionist painter who painted throughout France. He worked on the decorations at the theatre of the Champs-Elysées and of the Transatlantique sealiner. He was friends with other artists like Raoul Dufy, Louis Valtat, and Henri Manguin.
Gustave Madelain (1867 - 1944) was French painter with his own interpretation of French post Impressionism. Madelain showed a number of canvases at Le Havre and at Rouen; though it was naturally in Paris that he had his greatest success.
Georges William Thornley (1857 – 1935) was a French painter and printmaker. He was the son of a Welsh immigrant Morgan Thornley.
A student of the French landscape painter Eugene Ciceri and Edmond Yon, Thornley became a successful artist remembered for his seascapes from Normandy and his landscapes from the French and Italian Rivieras.
He also was a talented watercolorist, engraver, and lithographer. His lithographs after the works of Corot, Monet, Pissarro, Degas and Puvis de Chavannes were acclaimed by his peers and awarded at the Salon de Paris.
Thornley painted in several different places in France (mostly Normandy). Here are the places he painted in France (a link “⇠” to his works will appear below when published):
Gustave Loiseau was a French Post-Impressionist painter, remembered above all for his landscapes and scenes of Paris streets. However he did paint a lot in Normandy,
Gustave Madelain (1867 - 1944) was French painter with his own interpretation of French post Impressionism. Madelain showed a number of canvases at Le Havre and at Rouen; though it was naturally in Paris that he had his greatest success.
Henri Lebasque was a French post-impressionist painter who painted throughout France. He worked on the decorations at the theatre of the Champs-Elysées and of the Transatlantique sealiner. He was friends with other artists like Raoul Dufy, Louis Valtat, and Henri Manguin.
Claude-Emile Schuffenecker (1851 – 1934) was a French Post-Impressionist artist, painter, art teacher and art collector. A friend of Paul Gauguin and Odilon Redon, and one of the first collectors of works by Vincent van Gogh.
This page forms part of a series of pages dedicated to the many artists who worked in Bayeux. A full list of all the artists with a link to their works can be found at the bottom of this page.
Georges Pierre Seurat (1859 – 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface.
Seurat’s artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one hand, his extreme and delicate sensibility, on the other, a passion for logical abstraction and an almost mathematical precision of mind. His large-scale work A Sunday Afternoon on the Island of La Grande Jatte (1884–1886) altered the direction of modern art by initiating Neo-Impressionism, and is one of the icons of late 19th-century painting.
His father, Antoine Chrysostome Seurat, originally from Champagne, was a former legal official who had become wealthy from speculating in property, and his mother, Ernestine Faivre, was from Paris. Georges had a brother, Emile Augustin, and a sister, Marie-Berthe, both older. His father lived in Le Raincy and visited his wife and children once a week at boulevard de Magenta.
Georges Seurat first studied art at the Ecole Municipale de Sculpture et Dessin, near his family’s home in the boulevard Magenta, which was run by the sculptor Justin Lequien. In 1878, he moved on to the Ecole des Beaux-Arts where he was taught by Henri Lehmann, and followed a conventional academic training, drawing from casts of antique sculpture and copying drawings by old masters.
Where the dialectic nature of Paul Cezanne’s work had been greatly influential during the highly expressionistic phase of proto-Cubism, between 1908 and 1910, the work of Seurat, with its flatter, more linear structures, would capture the attention of the Cubists from 1911. Seurat in his few years of activity, was able, with his observations on irradiation and the effects of contrast, to create afresh without any guiding tradition, to complete an esthetic system with a new technical method perfectly adapted to its expression.
NOTE: Click on any image below for a bigger version (no new window will open).
NOTE: To our knowledge, Seurat did not work in Bayeux itself, but instead worked in nearby Grandcamp and Port-en-Bessin.
Grandcamp-Maisy
The town of Grandcamp-Maisy (population: 1,630) lies to the North/West of Bayeux along the coast.
1885 – Georges Seurat – Landscape at Grandcamp
1885 – Georges Seurat – Low Tide at Grandcamp
1885 – Georges Seurat – Race in Grandcamp
1885 – Georges Seurat – Study for Le-Bec-du-Hoc, Grandcamp
1885 – Georges Seurat – The anchorage at Grandcamp
1885 – Georges Seurat – The away Samson in Grandcamp
1885 – Georges Seurat – Le-Bec-du-Hoc, Grandcamp
1885 – Georges Seurat – The English Channel at Grandcamp
???? – Georges Seurat – Three Boats and a Sailor (Study for the Stranding at Grandcamp)
Port-en-Bessin-Huppain
The town of Port-en-Bessin-Huppain (population: 2,000) lies to the North/West of Bayeux alongside the coast.
1888 – Georges Seurat – Harbour at Port-en-Bessin at High Tide
1888 – Georges Seurat – Port-en-Bessin Entrance to the Harbor
1888 – Georges Seurat – Port-en-Bessin, The Outer Harbor, Low Tide
1888 – Georges Seurat – Port-en-Bessin, the Semaphore and Cliffs
1888 – Georges Seurat – Sunday at Port-en-Bessin
1888 – Georges Seurat – The Harbour and the Quays at Port-en-Bessin
Seurat painted mostly in the Paris region, but he did work in some parts of France as well. Here are the places he painted in (a link “⇠” to his works will appear when published):
Artists featured on our site who painted in Bayeux (but not limited to) are (a “*” indicates that the artist did not work directly in Bayeux, instead worked in a nearby town):
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Georges Pierre Seurat (1859 – 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface. Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one…
Georges Pierre Seurat (1859 – 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface. Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one…
Paul Victor Jules Signac was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style. He started training as an architect but quickly decided he wanted to be an artist. Here is 1 of his paintings he made in Trouville-sur-Mer, Normandy.
This page forms part of a series of pages dedicated to the many artists who worked in Bayeux. A full list of all the artists with a link to their works can be found at the bottom of this page.
Paul Signac (1863 – 1935) was a French Post-Impressionist painter. He followed a course of training in architecture before, at the age of 18, deciding to pursue a career as a painter, after attending an exhibit of Monet’s work. He sailed on the Mediterranean Sea, visiting the coasts of Europe and painting the landscapes he encountered. In later years, he also painted a series of watercolors of French harbor cities.
In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colors and he became Seurat’s faithful supporter, friend, and heir with his description of Neo-Impressionism and Divisionism method. Under Seurat’s influence he abandoned the short brushstrokes of Impressionism to experiment with scientifically-juxtaposed small dots of pure color, intended to combine and blend not on the canvas, but in the viewer’s eye, the defining feature of Pointillism.
In 1886 Signac met Vincent van Gogh in Paris. During 1887 the two artists regularly went to Asnières-sur-Seine together, where they painted such subjects as river landscapes and cafés. Initially, van Gogh chiefly admired Signac’s loose painting technique. In March 1889, Signac visited van Gogh at Arles. The next year he made a short trip to Italy, seeing Genoa, Florence, and Naples.
Signac loved sailing and began to travel in 1892, sailing a small boat to almost all the ports of France, to the Netherlands, and on the Mediterranean Sea as far as Constantinople, basing his boat at St. Tropez, which he later would make popular to other artists. From his various ports of call, Signac brought back vibrant, colorful watercolors, sketched rapidly from nature. From these sketches, he painted large studio canvases that are carefully composed of small, mosaic-like squares of color quite different from the tiny, variegated dots introduced and used by Seurat.
On 7 November 1892, Signac married Berthe Robles at the town hall of the 18th arrondissement of Paris. The witnesses at the wedding were Alexandre Lemonier, Maximilien Luce, Camille Pissarro, and Georges Lecomte.
Signac wrote several important works on the theory of art, among them, From Eugene Delacroix to Neo-Impressionism, published in 1899. It is a monograph devoted to Johan Barthold Jongkind (1819–1891), and was published in 1927. He also authored several introductions to the catalogues of art exhibitions and many other writings yet to be published.
Politically, he was an anarchist, as were many of his friends, including Felix Feneon and Camille Pissarro.
Artists featured on our site who painted in Bayeux (but not limited to) are (a “*” indicates that the artist did not work directly in Bayeux, instead worked in a nearby town):
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Paul Victor Jules Signac was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style. He started training as an architect but quickly decided he wanted to be an artist. Here are his works for Cherbourg and surrounding town of Barfleur.
Paul Victor Jules Signac was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style. He started training as an architect but quickly decided he wanted to be an artist. Here are his works for Fecamp, Normandy.
Paul Victor Jules Signac was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style. He started training as an architect but quickly decided he wanted to be an artist. Here are his paintings he made in Honfleur, Normandy.
Paul Victor Jules Signac was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style. He started training as an architect but quickly decided he wanted to be an artist. Here is 1 of his paintings he made in Trouville-sur-Mer, Normandy.
Felix Thorigny (1824, Caen – 1870, Paris) was a French master draughtsman, veduta painter and landscape painter. He worked extensively in Paris and London. Not much else is known about this artist. Here are some of his works we found dealing with Bayeux (Normandy).
This page forms part of a series of pages dedicated to the many artists who painted in Caen. A full list of all the artists with a link to their works can be found at the bottom of this page.
Gustave Loiseau (1865 – 1935) was a French Post-Impressionist painter, remembered above all for his landscapes and scenes of Paris streets. He was born in Paris and was brought up there, and at Pontoise, by parents who owned a butchers shop.
He served an apprenticeship with a decorator who was a friend of the family. In 1887, when a legacy from his grandmother allowed him to concentrate on painting, he enrolled at the “Ecole des arts decoratifs” where he studied life-drawing. However, a year later he left the school after an argument with his teacher.
While working as a decorator, Loiseau redecorated the apartment of the landscape painter Fernand Quigon (1854-1941). After he left the “Ecole des arts decoratifs”, he invited Quignon tutor him in painting.
In 1890, he went to Pont-Aven in Brittany for the first time, fraternizing with the artists there, especially Paul Gauguin and Emile Bernard. After experimenting with Pointillism, he adopted his own approach to Post-Impressionism, painting landscapes directly from nature. His technique known as en treillis or cross-hatching gave his works a special quality, now recognized as his speciality.
Loiseau’s paintings, revealing his passion for the seasons from the beginning of spring to the harvests later in the autumn, often depict the same orchard or garden scene as time goes by. Series of this kind, which also include cliffs, harbours or churches, are reminiscent of Claude Monet.
Artists featured here who painted in Caen (but not limited to) are (a link “⇠” will be placed next to an artist name when their works are published. A “*” means that the artist did NOT work in Caen itself, instead worked in nearby villages and towns):
NOTE: You can subscribe to our new articles by entering your email address in the box on the right column (or at the very bottom of this article) and clicking on the button “Subscribe”.
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[info_message style="info" animation="scale-up" animation_delay="800"]Built: 1060Status: PublicVisitable?: Yes, partially free, partially for a small feeNotable: Built by William the Conqueror[/info_message] The fortress and castle of Caen (known as the "Chateau Ducal", the Duke's Castle) was ordered to be built by William the Conqueror, together with two Abbeys (one for men, the other for…
Caen is also known as the "city of 100 church bells" and as the name says, there are a lot of churches, abbeys and monasteries in this former royal city. William the Conqueror, who lived and reigned here, had several built (and the enormous fortress/castle). Before WWII there were some 40…
If there's one thing to be seen in Caen, it's the Memorial. No kidding, even if you're not in the region, it's worth a side trip. And for all of you visiting the D-Day debarkation beaches, you'll need to pass through Caen anyway, so stop here. Mind you, you'll…
This page forms part of a series of pages dedicated to the many artists who painted in Cherbourg. A full list of all the artists with a link to their works can be found at the bottom of this page.
Othon Friesz was a French painter who was born in Le Havre (the son of a long line of shipbuilders and sea captains) where he went to school with Raoul Dufy who became a lifelong close friend. They both went to the same school in Le Havre, and later they went together to Paris for art school.
Othon Friesz, full name Achille-Emile Othon Friesz (1879 – 1949), was born in Le Havre, the son of a long line of shipbuilders and sea captains. He went to school in his native city. It was while he was at the Lycée that he met his lifelong friends Raoul Dufy, Rene de Saint-Delis and Rene’s younger brother, Henri Saint-Delis.
He, Rene, Henri and Dufy studied at the Le Havre School of Fine Arts in 1895-96 and then went to Paris together for further study. In Paris, Friesz met Henri Matisse, Albert Marquet, and Georges Rouault. Like them, he rebelled against the academic teaching of Bonnat and became a member of the Fauves, exhibiting with them in 1907. The following year, Friesz returned to Normandy and to a much more traditional style of painting, since he had discovered that his personal goals in painting were firmly rooted in the past.
He opened his own studio in 1912 and taught until 1914 at which time he joined the army for the duration of the war. He resumed living in Paris in 1919 and remained there, except for brief trips to Toulon and the Jura Mountains, until his death in 1949.
His paintings followed the Post-Impressionism and Fauvism movements.
Here are the artists we found who worked in Cherbourg. A link “⇠” will show when that artist’s works has been published on our site. A “*” indicates that the artist did not work in Cherbourg itself, instead worked in nearby places.
NOTE: You can subscribe to our new articles by entering your email address in the box on the right column (or at the very bottom of this article) and clicking on the button “Subscribe”.
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Cherbourg is world's 2nd biggest artificial harbour, a major ferry harbour but a drab and boring city. For many travellers to and from the UK and Ireland it's a must to pass through. But it does have a few parts that are worth a quick stopover.
One of the few things that are worth a visit in Cherbourg, or even doing a detour to visit, is the Cite de le Mer museum. The museum is quite recent, it opened its doors in the year 2002. But the building is not new. It is the former transatlantic…
Transport Getting There Railway station of Cherbourg There is a direct rail line Cherbourg - Paris which makes getting there easy and fast if you are arriving from the capital. By Air Cherbourg has a small airport (Maupertus Airport) but there are no scheduled flights in or outside of France. It is…
Henri Emile Benoit Matisse (1869 – 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts…
Othon Friesz, a Le Havre born artist and lifelong friend of Raoul Dufy, painted between Normandy and Paris. Here is some of his Le Havre works.
Sir Matthew Smith, CBE (1879 – 1959) was a British painter of nudes, still-life and landscape. He studied design at the Manchester School of Art and art at the Slade School of Art. Smith studied under Henri Matisse in Paris and acquired an interest in Fauvism. During World War I,…
Maurice Brazil Prendergast (1858 – 1924) was an American Post-Impressionist artist who worked in oil, watercolor, and monotype.
Gustave Loiseau was a French Post-Impressionist painter, remembered above all for his landscapes and scenes of Paris streets. However he did paint a lot in Normandy,
Henri Emile Benoit Matisse (1869 – 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts…
