Clarkson Frederick Stanfield (1793 – 1867) was a prominent English painter (often inaccurately credited as William Clarkson Stanfield) who was best known for his large-scale paintings of dramatic marine subjects and landscapes. He was the father of the painter George Clarkson Stanfield and the composer Francis Stanfield.

Until his death he contributed a long series of powerful and highly popular works to the Academy, both of marine subjects and landscapes from his travels at home and in France, the Netherlands, Germany, Italy, Spain, and Ireland.

Here is the one painting of his we found which he made in Le Havre, Normandy.

Clarkson Frederick Stanfield (1793 – 1867) was a prominent English painter (often inaccurately credited as William Clarkson Stanfield) who was best known for his large-scale paintings of dramatic marine subjects and landscapes. He was the father of the painter George Clarkson Stanfield and the composer Francis Stanfield.

Until his death he contributed a long series of powerful and highly popular works to the Academy, both of marine subjects and landscapes from his travels at home and in France, the Netherlands, Germany, Italy, Spain, and Ireland.

William Frome Smallwood (1806 – 1834) was a British artist who made several paintings in France and the United Kingdom.

However, almost nothing else is known about this artist.

Walter Richard Sickert RA RBA (1860 – 1942) was a British painter and printmaker who was a member of the Camden Town Group of Post-Impressionist artists in early 20th-century London. He was an important influence on distinctively British styles of avant-garde art in the mid- and late 20th century.

In the late 1880s he spent much of his time in France, especially in Dieppe, which he first visited in mid-1885, and where his mistress, and possibly his illegitimate son, lived.

Pierre-Auguste Renoir (1841 – 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that “Renoir is the final representative of a tradition which runs directly from Rubens to Watteau.”

Maurice Brazil Prendergast (1858 – 1924) was an American Post-Impressionist artist who worked in oil, watercolor, and monotype.

William Edward Norton (1843 – 1912) was an American painter, born to a family of Bostonian shipbuilders. Norton became a noted marine painter, stirred by his youth when he sailed on family-owned ships. After his sea service as a young man, he enrolled at both Harvard Medical School and the Lowell Institute. At Lowell, Norton developed a strong interest in art and began studying with George Inness, whose own poetic style deeply influenced the young artist. He then established a studio in Boston.

Alfred Montague (1832 – 1883) was a British painter born in London.

Not much, if anything, is known about this British artist. Here is the one painting of his we found dealing with Caen, Normandy.

Alfred Montague (1832 – 1883) was a British painter born in London.

Not much, if anything, is known about this British artist.

Arthur Ambrose McEvoy ARA (1877 – 1927) was an English artist. His early works are landscapes and interiors with figures, in a style influenced by James McNeill Whistler. Later he gained success as a portrait painter, mainly of women and often in watercolour.

Leon-Jules Lemaître (1850 – 1905) is a French painter from the School of Rouen.

A student at the Ecole des Beaux-Arts in Paris, he painted mainly urban scenes in Paris or Rouen.

Not much else is known about this artist. Here is the one painting of his we found of Caudebec-en-Caux.

Leon-Jules Lemaître (1850 – 1905) is a French painter from the School of Rouen.

A student at the Ecole des Beaux-Arts in Paris, he painted mainly urban scenes in Paris or Rouen.

Not much else is known about this artist.

Henri Charles Guerard (1846 – 1897) was a French painter, engraver, lithographer and printer. He was born and died in Paris.

He married in 1879 to Eva Gonzales, painter, student, model and friend of Manet.

Not much else is known about this artist.

Eva Gonzalès (1849 – 1883) was a French Impressionist painter. She was born in Paris and became introduced to sophisticated literary and art circles at an early age by her father, writer Emmanuel Gonzalès. In 1865, at age sixteen, Eva Gonzales began her professional training and art lessons in drawing from the society portraitist Charles Chaplin (no, not that one). Through her father’s connections as a founding president of the Société des gens de lettres, she met a variety of members of the Parisian cultural elite, and from a young age was exposed to the new ideas surrounding art and literature at the time.

Her work was reviewed positively by a variety of critics. Louis Leroy, Jules Castagnary, and Émile Zola praised the work she successfully showed at the Salons. Furthermore, the art critic Maria Deraismes championed Gonzalés for producing paintings which challenged the way female painters were viewed and separated from the art scene in Paris.

Ambroise Louis Garneray (1783 – 1857) was a French corsair, painter and writer. He served under Robert Surcouf and Jean-Marie Dutertre, and was held as prisoner-of-war by the British for eight years after being captured before being repatriated at the conclusion of the Napoleonic Wars, continuing his career as a painter until his death in 1857.

Garneray was born in Paris (on Rue Saint-Andre-des-arts, in the Latin Quarter) on 19 February 1783. He was the elder son of Jean-François Garneray (1755–1837), painter of the king, who was pupil of Jacques-Louis David. At thirteen, he joined the Navy as a seaman, encouraged by his cousin, Beaulieu-Leloup, commander of the frigate Forte (“the Stout one”). Garneray sailed from Rochefort to the Indian Ocean with the frigate division under Sercey, to which the Forte belonged.

He was in fact the first Peintre de la Marine (“official painter of the Navy”).

Developing a tremor which prevented him from writing and which complicated his work as a painter, he died in Paris in 1857, a few months only before his wife was mysteriously assassinated. Garneray was buried at the Montmartre cemetery: A close friend of his had the tombstone decorated with a painter’s palette, a ship mast and the Legion of Honour.

Here are 5 of his etching he made of Le Havre, and one in Harfleur (suburb of Le Havre), Normandy.

Ambroise Louis Garneray (1783 – 1857) was a French corsair, painter and writer. He served under Robert Surcouf and Jean-Marie Dutertre, and was held as prisoner-of-war by the British for eight years after being captured before being repatriated at the conclusion of the Napoleonic Wars, continuing his career as a painter until his death in 1857.

Garneray was born in Paris (on Rue Saint-Andre-des-arts, in the Latin Quarter) on 19 February 1783. He was the elder son of Jean-François Garneray (1755–1837), painter of the king, who was pupil of Jacques-Louis David. At thirteen, he joined the Navy as a seaman, encouraged by his cousin, Beaulieu-Leloup, commander of the frigate Forte (“the Stout one”). Garneray sailed from Rochefort to the Indian Ocean with the frigate division under Sercey, to which the Forte belonged.

He was in fact the first Peintre de la Marine (“official painter of the Navy”).

Developing a tremor which prevented him from writing and which complicated his work as a painter, he died in Paris in 1857, a few months only before his wife was mysteriously assassinated. Garneray was buried at the Montmartre cemetery: A close friend of his had the tombstone decorated with a painter’s palette, a ship mast and the Legion of Honour.

Here are some of the paintings he made in Cherbourg, Normandy.

Ambroise Louis Garneray (1783 – 1857) was a French corsair, painter and writer. He served under Robert Surcouf and Jean-Marie Dutertre, and was held as prisoner-of-war by the British for eight years after being captured before being repatriated at the conclusion of the Napoleonic Wars, continuing his career as a painter until his death in 1857.

Garneray was born in Paris (on Rue Saint-Andre-des-arts, in the Latin Quarter) on 19 February 1783. He was the elder son of Jean-François Garneray (1755–1837), painter of the king, who was pupil of Jacques-Louis David. At thirteen, he joined the Navy as a seaman, encouraged by his cousin, Beaulieu-Leloup, commander of the frigate Forte (“the Stout one”). Garneray sailed from Rochefort to the Indian Ocean with the frigate division under Sercey, to which the Forte belonged.

He was in fact the first Peintre de la Marine (“official painter of the Navy”).

Developing a tremor which prevented him from writing and which complicated his work as a painter, he died in Paris in 1857, a few months only before his wife was mysteriously assassinated. Garneray was buried at the Montmartre cemetery: A close friend of his had the tombstone decorated with a painter’s palette, a ship mast and the Legion of Honour.

Here is the one painting of his we found dedicated to Caudebec-en-Caux, Normandy.

Ambroise Louis Garneray (1783 – 1857) was a French corsair, painter and writer. He served under Robert Surcouf and Jean-Marie Dutertre, and was held as prisoner-of-war by the British for eight years after being captured before being repatriated at the conclusion of the Napoleonic Wars, continuing his career as a painter until his death in 1857.

Garneray was born in Paris (on Rue Saint-Andre-des-arts, in the Latin Quarter) on 19 February 1783. He was the elder son of Jean-François Garneray (1755–1837), painter of the king, who was pupil of Jacques-Louis David. At thirteen, he joined the Navy as a seaman, encouraged by his cousin, Beaulieu-Leloup, commander of the frigate Forte (“the Stout one”). Garneray sailed from Rochefort to the Indian Ocean with the frigate division under Sercey, to which the Forte belonged.

He was in fact the first Peintre de la Marine (“official painter of the Navy”).

Developing a tremor which prevented him from writing and which complicated his work as a painter, he died in Paris in 1857, a few months only before his wife was mysteriously assassinated. Garneray was buried at the Montmartre cemetery: A close friend of his had the tombstone decorated with a painter’s palette, a ship mast and the Legion of Honour.

Here are two of his paintings he made in the city of Caen, Normandy.

Ambroise Louis Garneray (1783 – 1857) was a French corsair, painter and writer. He served under Robert Surcouf and Jean-Marie Dutertre, and was held as prisoner-of-war by the British for eight years after being captured before being repatriated at the conclusion of the Napoleonic Wars, continuing his career as a painter until his death in 1857.

Garneray was born in Paris (on Rue Saint-Andre-des-arts, in the Latin Quarter) on 19 February 1783. He was the elder son of Jean-François Garneray (1755–1837), painter of the king, who was pupil of Jacques-Louis David. At thirteen, he joined the Navy as a seaman, encouraged by his cousin, Beaulieu-Leloup, commander of the frigate Forte (“the Stout one”). Garneray sailed from Rochefort to the Indian Ocean with the frigate division under Sercey, to which the Forte belonged.

He was in fact the first Peintre de la Marine (“official painter of the Navy”).

Developing a tremor which prevented him from writing and which complicated his work as a painter, he died in Paris in 1857, a few months only before his wife was mysteriously assassinated. Garneray was buried at the Montmartre cemetery: A close friend of his had the tombstone decorated with a painter’s palette, a ship mast and the Legion of Honour.

Charles Hoquet (1821 – 1870), although born and died in Berlin, Germany, as a Huguenot, belonged to the French colony in Berlin and is considered a French painter.

He was a student of the German marine painter Wilhelm Krausse. He joined the studio of Eugene Ciceri the following year in Paris. In 1841 he was a student of Eugene Isabey.

Paul Cesar Helleu (1859 – 1927) was a French oil painter, pastel artist, drypoint etcher, and designer, best known for his numerous portraits of beautiful society women of the Belle Epoque. He also conceived the ceiling mural of night sky constellations for Grand Central Terminal in New York City. He was also the father of Jean Helleu and the grandfather of Jacques Helleu, both artistic directors for Parfums Chanel.

Helleu was commissioned in 1884 to paint a portrait of a young woman named Alice Guérin (1870–1933). They fell in love, and married on 28 July 1886. Throughout their lives together, she was his favourite model. Charming, refined and graceful, she helped introduce them to the aristocratic circles of Paris, where they became popular fixtures.

On his second trip to the United States in 1912, Helleu was awarded the commission to design was the ceiling decoration in New York City’s Grand Central Terminal. He decided on a mural of a blue-green night sky covered by the starry signs of the zodiac that cross the Milky Way. Although the astrological design was widely admired, the ceiling was covered in the 1930s. It was completely restored in 1998.

While planning for a new exhibition with Jean-Louis Forain, he died in 1927 at age 67 of peritonitis following surgery in Paris. Among many of his friends was Coco Chanel, who chose beige as her signature colour upon on his advice—the colour of the sand on the beach of Biarritz in early morning. Both his son Jean Helleu and his grandson Jacques Helleu became artistic directors for Parfums Chanel.

Here are some of his many paintings he made in Deauville, Normandy.

Paul Cesar Helleu (1859 – 1927) was a French oil painter, pastel artist, drypoint etcher, and designer, best known for his numerous portraits of beautiful society women of the Belle Epoque. He also conceived the ceiling mural of night sky constellations for Grand Central Terminal in New York City. He was also the father of Jean Helleu and the grandfather of Jacques Helleu, both artistic directors for Parfums Chanel.

Helleu was commissioned in 1884 to paint a portrait of a young woman named Alice Guérin (1870–1933). They fell in love, and married on 28 July 1886. Throughout their lives together, she was his favourite model. Charming, refined and graceful, she helped introduce them to the aristocratic circles of Paris, where they became popular fixtures.

On his second trip to the United States in 1912, Helleu was awarded the commission to design was the ceiling decoration in New York City’s Grand Central Terminal. He decided on a mural of a blue-green night sky covered by the starry signs of the zodiac that cross the Milky Way. Although the astrological design was widely admired, the ceiling was covered in the 1930s. It was completely restored in 1998.

While planning for a new exhibition with Jean-Louis Forain, he died in 1927 at age 67 of peritonitis following surgery in Paris. Among many of his friends was Coco Chanel, who chose beige as her signature colour upon on his advice—the colour of the sand on the beach of Biarritz in early morning. Both his son Jean Helleu and his grandson Jacques Helleu became artistic directors for Parfums Chanel.

Laura Sylvia Gosse (1881 – 1968) was an English painter and printmaker. She ran an art school with the painter Walter Sickert.

Eye cataracts put an end to her painting in 1961, and she died in 1968.

Eugene Henri Paul Gauguin (1848 – 1903) was a French Post-Impressionist artist. Unappreciated until after his death, Gauguin is now recognized for his experimental use of color and Synthetist style that were distinct from Impressionism. Toward the end of his life, he spent ten years in French Polynesia. The paintings from this time depict people or landscapes from that region.

His work was influential on the French avant-garde and many modern artists, such as Pablo Picasso and Henri Matisse, and he is well known for his relationship with Vincent and Theo van Gogh. Gauguin’s art became popular after his death, partially from the efforts of dealer Ambroise Vollard, who organized exhibitions of his work late in his career and assisted in organizing two important posthumous exhibitions in Paris.