Pierre-Auguste Renoir

Fecamp – The Artists – Renoir, Pierre-Auguste

This page forms part of a series of pages dedicated to the many artists who worked in Fecamp. A full list of all the artists with a link to their works can be found at the bottom of this page.

Pierre-Auguste Renoir
Pierre-Auguste Renoir

Pierre-Auguste Renoir (1841 – 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that “Renoir is the final representative of a tradition which runs directly from Rubens to Watteau.

He was the father of actor Pierre Renoir (1885–1952), filmmaker Jean Renoir (1894–1979) and ceramic artist Claude Renoir (1901–1969). He was the grandfather of the filmmaker Claude Renoir (1913–1993), son of Pierre.

Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, in 1841. His father, Leonard Renoir, was a tailor of modest means, so in 1844, Renoir’s family moved to Paris in search of more favorable prospects. The location of their home, in rue d’Argenteuil in central Paris, placed Renoir in proximity to the Louvre. Although the young Renoir had a natural proclivity for drawing, he exhibited a greater talent for singing. His talent was encouraged by his teacher, Charles Gounod, who was the choir-master at the Church of St Roch at the time. However, due to the family’s financial circumstances, Renoir had to discontinue his music lessons and leave school at the age of thirteen to pursue an apprenticeship at a porcelain factory.

Although Renoir displayed a talent for his work, he frequently tired of the subject matter and sought refuge in the galleries of the Louvre. The owner of the factory recognized his apprentice’s talent and communicated this to Renoir’s family. Following this, Renoir started taking lessons to prepare for entry into Ecole des Beaux Arts. When the porcelain factory adopted mechanical reproduction processes in 1858, Renoir was forced to find other means to support his learning. Before he enrolled in art school, he also painted hangings for overseas missionaries and decorations on fans.

In 1862, he began studying art under Charles Gleyre in Paris. There he met Alfred Sisley, Frederic Bazille, and Claude Monet. At times, during the 1860s, he did not have enough money to buy paint.

Renoir was inspired by the style and subject matter of previous modern painters Camille Pissarro and Edouard Manet. After a series of rejections by the Salon juries, he joined forces with Monet, Sisley, Pissarro, and several other artists to mount the first Impressionist exhibition in April 1874, in which Renoir displayed six paintings. Although the critical response to the exhibition was largely unfavorable, Renoir’s work was comparatively well received.

In 1881, he traveled to Algeria, a country he associated with Eugene Delacroix, then to Madrid, to see the work of Diego Velazquez. Following that, he traveled to Italy to see Titian’s masterpieces in Florence and the paintings of Raphael in Rome. On 15 January 1882, Renoir met the composer Richard Wagner at his home in Palermo, Sicily. Renoir painted Wagner’s portrait in just thirty-five minutes. In the same year, after contracting pneumonia which permanently damaged his respiratory system, Renoir convalesced for six weeks in Algeria.

Around 1892, Renoir developed rheumatoid arthritis. In 1907, he moved to the warmer climate of “Les Collettes,” a farm at the village of Cagnes-sur-Mer, Provence-Alpes-Cote d’Azur, close to the Mediterranean coast. Renoir painted during the last twenty years of his life even after his arthritis severely limited his mobility. He developed progressive deformities in his hands and ankylosis of his right shoulder, requiring him to change his painting technique. It has often been reported that in the advanced stages of his arthritis, he painted by having a brush strapped to his paralyzed fingers, but this is erroneous; Renoir remained able to grasp a brush, although he required an assistant to place it in his hand. The wrapping of his hands with bandages, apparent in late photographs of the artist, served to prevent skin irritation.

Renoir died at Cagnes-sur-Mer on 3 December 1919.

Click here to read the (very) full bio of Pierre-Auguste Renoir on Wikipedia.

NOTE: Click on any image below for a bigger version (no new window will open).

NOTE: To our knowledge, Renoir never painted in Fecamp itself, instead he painted in the nearby village of Yport (a suburb of Fecamp).

Yport

Yport (population: 850), a small fishing village (with no harbour), lies close to Fecamp on the South-West alongside the coast. Today it’s a seaside resort village with a casino, restaurants and hotels.

1883 - Pierre-Auguste Renoir - Low Tide at Yport
1883 – Pierre-Auguste Renoir – Low Tide at Yport
1883 - Pierre-Auguste Renoir - Low Tide, Yport
1883 – Pierre-Auguste Renoir – Low Tide, Yport
1883 - Pierre-Auguste Renoir - Sea and Boats
1883 – Pierre-Auguste Renoir – Sea and Boats
1883 - Pierre-Auguste - Young boy on the beach at Yport
1883 – Pierre-Auguste Renoir – Young boy on the beach at Yport

Renoir painted in many places in France (and Europe). Here are the places he painted in France (a link “⇠” to his works for those places will appear below when published):

Fecamp is a picturesque fishing town which made for a great backdrop for many artist. Here are all the artists who applied their arts in the town and its surroundings (a link “” will appear when we have published an article on this artist’s works in Fecamp):

NOTE: a “*” besides the artist’s name indicates that the artist did NOT work directly in Fecamp, instead worked in Fecamp’s surroundings only.

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