Ambroise Louis Garneray

Fecamp – The Artists – Garneray, Ambroise Louis

This page forms part of a series of pages dedicated to the many artists who worked in Fecamp. A full list of all the artists with a link to their works can be found at the bottom of this page.

Ambroise Louis Garneray
Ambroise Louis Garneray

Movement(s): –

Ambroise Louis Garneray (1783 – 1857) was a French corsair, painter and writer. He served under Robert Surcouf and Jean-Marie Dutertre, and was held as prisoner-of-war by the British for eight years after being captured before being repatriated at the conclusion of the Napoleonic Wars, continuing his career as a painter until his death in 1857.

Garneray was born in Paris on 19 February 1783. He was the elder son of Jean-François Garneray (1755–1837), painter of the king, who was pupil of Jacques-Louis David. At thirteen, he joined the Navy as a seaman, encouraged by his cousin, Beaulieu-Leloup, commander of the frigate Forte (“the Stout one“). Garneray sailed from Rochefort to the Indian Ocean with the frigate division under Sercey, to which the Forte belonged.

He sailed on various trading ships during the peace of Amiens, after which he served aboard the Pinson (“the Finch“), a cutter based in Île Bourbon. He replaced the commander when he died, and was shipwrecked shortly thereafter. He then served on the corsair Tigre du Bengale and eventually on the frigate Atalante attached to the squadron of Linois. He later served on the Belle Poule (“beautiful chick“), and was aboard when she was captured by the British in March 1806. Wounded, Garneray was transported to England and spent the eight following years in prison hulks off Portsmouth (on the Protée, the Couronne (“Crown“) Vengeance and Assistance. He was able to improve his standard of living by selling paintings to a British merchant.

Released on 18 May 1814, Garneray did not find employment in the commercial navy and remained in Paris where he devoted himself to painting. Probably thanks to one of his brothers, himself painter and engraver and who knew people in the entourage of Napoleon, he received his first official order: the meeting of l’Inconstant and the Zéphir, as an anecdote of the return from Elba. The work was carried out only in 1834 as, because of the political climate of the Bourbon Restoration, he felt it more convenient to paint the Descent of the French emigrants at Quiberon, which was exhibited at the Salon de Paris in 1815. Garneray attended the salon every year from then.

Garneray came to be employed by the duke of Angoulême, then Grand Admiral of France, and became his appointed painter in 1817. He was in fact the first Peintre de la Marine (“official painter of the Navy”). Between 1821 and 1830, he went in many harbours of France where he made numerous sketches which were used as a basis for engravings or fabrics.

In 1833, he was made director of the museum of Rouen. He later joined the Manufacture nationale de Sèvres. In the 1830s he developed a new genre of painting, the aquatint, and also developed a major career of engraving. In the 1840s, his fame seems to have dimmed; he lost most of his political supporters and fell into poverty.

Developing a tremor which prevented him from writing and which complicated his work as a painter, he died in Paris in 1857, a few months only before his wife was mysteriously assassinated. Garneray was buried at the Montmartre cemetery: A close friend of his had the tombstone decorated with a painter’s palette, a ship mast and the Legion of Honour.

You can read Garneray’s full bio on Wikipedia by clicking here.

NOTE: Click on the image below for a bigger version (no new window will open).

???? - Ambroise Louis Garneray - View of Fecamp
???? – Ambroise Louis Garneray – View of Fecamp

Garneray painted all over France (and internationally). Here are the places he painted in (a link “” to his works will appear below when published):

Fecamp is a picturesque fishing town which made for a great backdrop for many artist. Here are all the artists who applied their arts in the town and its surroundings (a link “” will appear when we have published an article on this artist’s works in Fecamp):

NOTE: a “*” besides the artist’s name indicates that the artist did NOT work directly in Fecamp, instead worked in Fecamp’s surroundings only.

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