Richard Parkes Bonington

Caudebec-en-Caux – The Artists – Bonington, Richard Parkes

This page forms part of a series of pages dedicated to the many artists who worked in Caudebec-en-Caux. A full list of all the artists with a link to their works can be found at the bottom of this page.

NOTE: Caudebec-en-Caux has recently merged (2016) with other towns nearby and is now called “Rives-en-Seine“. However, since the artists called the town by its original name in their paintings, we will continue to refer to the place by its old name.

Richard Parkes Bonington
Richard Parkes Bonington

Movement(s): Romanticism

Richard Parkes Bonington (1802 – 1828) was an English Romantic landscape painter, who moved to France at the age of 14 and can also be considered as a French artist, and an intermediary bringing aspects of English style to France.

Richard Parkes Bonington was born in the town of Arnold, four miles from Nottingham. His father also known as Richard was successively a gaoler, a drawing master and lace-maker, and his mother a teacher. Bonington learned watercolour painting from his father and exhibited paintings at the Liverpool Academy at the age of eleven.

In 1817, Bonington’s family moved to Calais, France, where his father had set up a lace factory. At this time, Bonington started taking lessons from the painter François Louis Thomas Francia, who, having recently returned from England, where he had been deeply influenced by the work of Thomas Girtin, taught him the English watercolour technique.

In 1818, the Bonington family moved to Paris to open a lace shop. There he met and became friends with Eugene Delacroix. He worked for a time producing copies of Dutch and Flemish landscapes in the Louvre. In 1820, he started attending the Ecole des Beaux-Arts in Paris, where he studied under Antoine-Jean, Baron Gros.

In 1825 he met Delacroix on a visit with Alexandre-Marie Colin to London, and they sketched together there, and shared a studio for some months in Paris on their return; Delacroix influenced him in turning to historical painting.

He also developed a technique mixing watercolour with gouache and gum, achieving an effect close to oil painting. In 1826 he visited northern Italy, staying in Venice for a month, and London again in 1827–8.

In late 1828 his tuberculosis worsened and his parents sent him back to London for treatment. Bonington died of tuberculosis on 23 September 1828 at 29 Tottenham Street in London, aged 25.

He was buried in the graveyard of St James’s Chapel Pentonville and in 1837 his remains were translated to Kensal Green Cemetery to be re-interred with his parents.

Bonington had a number of close followers, such as Roqueplan and Isabey in France, and Thomas Shotter Boys, James Holland, William Callow and John Scarlett Davis in England. In addition, there were many copies and forgeries of his work made in the period immediately after his death.

Click here to read Bonington’s full bio on Wikipedia.

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NOTE: A black box like this one, means that there is an explanation text about today’s situation of the painting above it.
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1824 - Richard Parkes Bonington - Cathedral of Notre Dame and Market Place at Caudebec-en-Caux
1824 – Richard Parkes Bonington – Cathedral of Notre Dame and Market Place at Caudebec-en-Caux

TODAY: The church which is still there (but badly shot up after WWII) is not a cathedral, however, King Henri IV did say that it was the most beautiful church in his kingdom.

Jumieges

The village of Jumieges (population: 1,800) is dominated by its abbey (in ruins), and it is located to the South/East of Caudebec-en-Caux and to the West of Rouen.

???? - Richard Parkes Bonington - View on the Seine with the ruins of Jumieges Abbey beyond
???? – Richard Parkes Bonington – View on the Seine with the ruins of Jumieges Abbey beyond

TODAY: The Jumieges Abbey is still there, and it’s still a ruin, but it is visitable?

Bonington painted mostly in many cities in France (a link “” to his works in those cities will appear below when published):

Artists featured here who painted in Caudebec-en-Caux (but not limited to) are (names marked with a “*” indicates that the artist did NOT work directly in Caudebec, instead worked in villages nearby):

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Today: Jumieges Abbey as seen from Seine river valley
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